Love Story Film
Review: On the Story of Love Sekhar Kammula has managed to push the boundaries when it comes to what the commercial cinema has already said. She has a regular hero, a leading actor and dancer, a love story full of songs that touch the foot. However, you can find the balance between entertaining the audience and dealing with social issues that rarely find a place in the news we often see. Love Story is Sekhar Kammula's way of loving it.
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Revanth (Naga Chaitanya) is moving to the city from Armoor, Nizamabad to take care of himself. He grew up facing caste differences from a very young age but was told by his mother (Easwari Rao) that anything could happen as long as he worked hard. Mouni (Sai Pallavi) also flees to Hyderabad to not only assert his independence in a seemingly incomprehensible family but also a few demons of his past. He owns a zumba center or is struggling. He wants to get an IT job and instead is encouraged by Revanth to help him with his zumba classes until he gets what he needs. There are beautiful songs shot in the rain, lots of love, empathy, understanding and some anger.
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In the story of Love Sekhar Kammula seems to say that the big lie the ‘big city’ fabricates is that it gives equal opportunity to everyone regardless of race or gender. Even when no one is really equal. The owner of Revanth's house seems comfortable giving the leaky cleaning job instead of doing it himself. In one scene she was even told, "Meerantha inthe," angrily by a man she considered to be her lover. Mouni is often told that - nee valla kaad - so many times that you believe him when he says - niku heart led abba. The two are usually given a short end of the stick by film but are able to keep themselves afloat with the help of one. They even make their own Pyarana Pul between their houses and often meet in the middle, both literally and figuratively.
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But what starts out as entertaining people with a simple heart and good times for Gangavva becomes more and more difficult as the film progresses. Even if Mouni dances to Saranga Dariya and Revanth plans their future together, you have a sinking feeling in the hole of your stomach. The couple stole quiet moments from Metro but the load they came with seemed to overwhelm them. Sekhar Kammula does an excellent job of helping you invest in the lives of Revanth and Mouni which makes your heart happy when the story goes awry. It does not help that one young couple you know have encountered a hopeless ending. Scenes where Revanth cries out in frustration and Mouni has made it clear that it is not the housewives who should be controlled, by the men, stay with you as long as the film is over.
Naga Chaitanya easily brings one of the best games of his career with Revanth. She is given a character who is compassionate, modest, who understands the boundaries of a girl and someone who is not afraid to go a long way for love - and she excels. Sai Pallavi is a dream come true when she dances but it is fun when she dances. She smiles when she is touched by a man, your heart aches when she cries and she cries when she seems to find a partner in Revanth. Rajeev Kanakala has been given a role beyond the usual evil by dialogue. He remains faithful as before and provides what is needed. So did Easwari Rao and Uttej, people who want the best for Revanth but find his plans stupid. Pawan Ch’s music adds to the film’s capture, as well as Vijay C Kumar’s camera work.
Love Story is not a film without its flaws. In a reality film in another way, Uttej's character makes the plot unusual in a way that helps the couple almost make you laugh a lot. But again, it makes it clear that such drastic measures are needed. The climax also offers to help Revanth find his heroic moment, even for just a few minutes. Some may even complain that the film ‘pulls’ in places, setting certain scenes to further a point already mentioned. Some will say there is no novel in the heart of the story of two people trying to convince their families of their love. And as Kammula lays out the plot points of a major disclosure about Mouni’s past with the film, it makes you wonder if it’s a little too fast. The conclusion is also accelerated. But she deserves credit for managing both class distinctions and child sexual abuse in a sensitive and non-judgmental way to further the story. The stories are linked to the theme of his main characters instead.
Love is something people have all their lives, so this film is called a love story film
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